"Collage" show at the Sharon Arts Center

The Sharon Arts Center will collaborate with McGowan Fine Art in Concord to present “Collage,” an exhibition featuring the work of Ted Arnold, Catherine Bartlett-Hirani, Avy Claire, John LaPrade, Thomas Meyers, James Palmigiano, Lauren Pollaro, Paul Pollaro, and Jessie Pollock.

Sponsored by People's United Bank, "Collage" will be on display at the Sharon Arts Exhibition Gallery, 30 Grove Street, from November 4 through January 7, 2012. An opening reception will be held November 4 from 5 to 7 pm.

The exhibition is the first sponsored by Sharon Arts Center that focuses entirely on collage--works of art made from the assemblage of various materials. The technique has been employed by artists for hundreds of years, especially in the application of cut or torn papers and gold leaf to enhance a painted surface, but the term collage--from the French “coller,” to glue--first came into common use with the work of Picasso and Braque in the early 20th century.

Collage has evolved with contemporary artists as a way of bringing together disparate materials to create a wholly new object or image. The collaging or layering of elements can make use of the external meaning suggested by the components, including newspaper or magazine clippings, stamps, labels, or sheet music; or by allusion to the previous life of materials such as scraps of fabric, pieces of wood, leaves and other natural objects, or industrial remnants. Collaged works can vary from flat assemblies of colored or textured papers to works using three-dimensional materials that approach sculpture.

Each of the artists included in the Sharon Arts Center exhibition brings an individual vision and interpretation to this style of picture making. In the work of Paul Pollaro and Ted Arnold, color is the primary focus. Bright reds and vivid oranges bind the pieces together, but Pollaro’s focus is on abstract landscape-like forms while Arnold depicts people, wedding parties and tea cups. Thomas Meyers and Avy Claire have a more ethereal approach. Meyers’ delicate ink and casein washes lend subtle touches of color and line to his torn paper collages. Claire prints images onto mylar, which is sewn down and layered with excerpts from her personal journals.

Collage allows artists to explore qualities of depth and texture, as well as the layering of meaning through the cultural references inherent in some of the recognizable elements. The Sharon Arts Center and McGowan Fine Arts expect this exhibition to provide an in-depth look at the diversity possible in this exciting art form.

In conjunction with this exhibit there will be several events held in the Gallery:

Saturday, Nov. 12 and 16 from 10 am to noon: Kids Collage Mini-Workshop for ages 5+. Preregistration required. Call (603) 924-2787.

Saturday, Nov. 19 from 4-6 pm: Panel Discussion with Sarah Chaffee of McGowan Fine Art, Ted Arnold, and others.

Hours at the Gallery are Monday through Saturday 10 am to 6 pm and Sunday 11 am to 5 pm. For more information, call (603) 924-7676 and see http://www.sharonarts.org/.

The mission of Sharon Arts Center, a non-profit organization, is to engage the community in the artistic process, to support and serve artists and craftspeople, and to foster the relationship between artists and the community through education, exhibitions, and the promotion and sale of arts and crafts as well as through special programs and events.

Sharon Arts center offers a wide variety of art classes and programs in the school facility in Sharon, NH--a Fine Craft Gallery, a Juried Artist Member Gallery, and an Exhibition Gallery at Depot Square.

The Sharon Arts Fine Crafts Exhibition Gallery is accessed through Depot Square and 30 Grove St. in downtown Peterborough. The Craft Gallery is located in Depot Square in Downtown Peterborough. Store and Exhibition Gallery hours are: Monday - Saturday 10 am to 6 pm, Sunday 11 - 5 pm.

Sharon Arts is sponsored in part by: The New Hampshire State Council on the Arts, The National Endowment for the Arts through the American Recovery & Reinvestment Act, The Susan A. & Donald P. Babson Charitable Foundation, The Bean Foundation, The Max & Victoria Dreyfus Foundation, The Grimshaw-Gudewicz Charitable Foundation, The Putnam Foundation, The Kingsbury Foundation, and art lovers like you!

Trio



John LaPrade



McGowan Fine Art announces a show featuring the work of John LaPrade, Marisa DiIorio Peters and Wendy Prellwitz. The show will run from June 21- July 29, with an artist’s reception on June 24 from 5 to 7 PM. This show is free and open to the public.



John LaPrade

This is a show intended to reintroduce gallery goers to three experienced artists from around New England: John LaPrade, Marisa DiIorio Peters and Wendy Prellwitz. “The three have quietly operated under the radar in our stable of artists,” says gallery director Sarah Chaffee. “I thought it was time to display their work and let everyone know what I appreciate about their technique.”



John LaPrade, of the Worcester area, has been creating art for over 30 years that explores rich subconscious imagery overlaid with memory and nostalgia. He has worked in a number of mediums over the years but this show will focus on his desktop series, which is created on an old high school writing desk with its distinctive paddle shaped arm. Multiple layers of colored pencil, watercolor, collage and enamel creates a textured surface exploding with color texture and some surprising imagery. In “Mill Town” the industrial buildings of Worcester provide a back drop for trees and a cemetery. The graffiti of the desk are visible creating yet another layer both visually and metaphorically.



Wendy Prellwitz



Marisa DiIorio Peters



Boston area artist, Wendy Prellwitz has a new body of work that focuses on the river passing through her city. Her medium of monotype is well chosen for the subject matter. In ‘First Light #6” she captures the shimmering of the water as the morning sun hits its rippled surface. Monotype allows for the soft edges and muted colors that are so evocative of water. These prints are romantic in their coloring but with an abstract viewpoint. “Water itself has no pattern and little color, except for the forces of wind and tide and the reflections of light and sky. I aim to evoke the feeling and movement of water, the surface wave patterns and the sand ripples left behind,” says the artist.



 

Marisa DiIorio Peters



NH artist, Marisa DiIorio Peters has been with the gallery for over eleven years. Her organic shapes bring to mind plant forms and the sensuality of floral reproduction. Pods, orifices, branches, and flowers float across the surface of her canvases with a dream like quality and luscious colors. “The reality of constant flux in nature and of the metamorphosis of living things are what motivate these images,” says the artist. “But I have long been engrossed with the materiality of oil paint; my love of manipulating surface and color stems from an attachment to the highly seductive nature of the paint.” 

Wendy Prellwitz