It was fascinating to watch Sandy work. As you might guess, she starts off quite loosely and then begins to build up the contrasts- always mindful to leave the lights just as you would with watercolor. Closer inspection of some of the more finished pieces revealed that she doesn't use as much detail as many think. She gives the illusion of detail coupled with the beautiful surface texture that water mediums have. Spots, puddles and pools build up to create leaves, fields and ocean.
Saturday, October 10, 2009
Sandy Wadlington Caran d'Ache Demonstration
Many people showed up to see the Sandy Wadlington Caran d'Ache demonstration. Some people wanted to simply watch, others were here to participate, but all had fun.
It was fascinating to watch Sandy work. As you might guess, she starts off quite loosely and then begins to build up the contrasts- always mindful to leave the lights just as you would with watercolor. Closer inspection of some of the more finished pieces revealed that she doesn't use as much detail as many think. She gives the illusion of detail coupled with the beautiful surface texture that water mediums have. Spots, puddles and pools build up to create leaves, fields and ocean.
It was fascinating to watch Sandy work. As you might guess, she starts off quite loosely and then begins to build up the contrasts- always mindful to leave the lights just as you would with watercolor. Closer inspection of some of the more finished pieces revealed that she doesn't use as much detail as many think. She gives the illusion of detail coupled with the beautiful surface texture that water mediums have. Spots, puddles and pools build up to create leaves, fields and ocean.
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