Melissa Anne Miller - Recent Works

McGowan Fine Art announces the opening of “Recent Works” featuring the paintings of Melissa Anne Miller. The show will run from July 16 – August 31, with a reception on July 19 from 5 to 7 PM.  This is free and open to the public.

“Recent Works” will feature the quiet scenes by Ms. Miller that have become familiar to the people of New Hampshire and synonymous with the city of Concord. Her heightened colors and sense of light make her work distinctive and a favorite with everyone.  Even those who are unfamiliar with Concord’s crowded streets and turn of the century downtown admire her paintings. They have a universal feel of home, which appeals to people, wherever they are from. Miller will have oil and acrylic paintings on display.  

Miller often revisits the same scene to capture different times of day, and different seasons. A cool, blue autumn sky, and a dramatic shadow cast by a barren tree in “White House with Tree, Late Fall” is contrasted by the warm early morning light. The same tree is now in full bloom, revealing little bits of sky, in “White House with Tree, Spring”. Daubs of sunlight peek through leaves.

Miller is currently collaborating with the Concord Public Library Foundation and Puritan Press to produce a series of bookmarks featuring snippets of her paintings, themed to the changing seasons. Her paintings have always been collected by many businesses and firms throughout New Hampshire- most notably Southern NH University, TD Banknorth in Manchester, NH Historical Society and Rath Young &; Pignatelli’s office in Concord.

This exhibit will be on display at McGowan Fine Art at 10 Hills Avenue in Concord, NH. Please call Sarah Chaffee at 603-225-2515 for more information or visit our website at www.mcgowanfineart.com, or contact at art@mcgowanfineart.com. Hours: T-F 10-6, and Sat 10-2 and by appointment.

Melissa A. Miller - "Recent Works 2011"

McGowan Fine Art announces the opening of “Recent Works” featuring the paintings of Melissa Anne Miller. The show will run from September 6 to October 7, with a reception on September 16 from 5 to 7 PM. This is free and open to the public.

“Recent Works” will feature the quiet scenes by Melissa that have become familiar to the people of New Hampshire and synonymous with the city of Concord. Her heightened colors and sense of light make her work distinctive and a favorite with everyone. Even those who are unfamiliar with Concord’s crowded streets and turn of the century downtown admire her paintings. They have a universal feel of home, which appeals to people, wherever they are from.

“Yellow House, Fall Afternoon” alters the viewer’s perspective with an upward gaze at a gabled yellow house. A warm pink shadow is cast across its front and sunlight on an adjacent roof glows orange. Ms Miller’s ability is in bringing all those colors together successfully. She has been applying this skill to landscapes again- most notably conservation land in the Concord Area. New Hampshire’s distinctive wetlands feature bare limbed snags standing in quiet waters- another opportunity to show facets and planes of light and how it alters colors.

Ms. Miller’s paintings have always been collected by many businesses and firms throughout New Hampshire- most notably SNHU, TD Banknorth in Manchester, NH Historical Society and Rath Young & Pignatelli’s office in Concord.

This exhibit will be on display at McGowan Fine Art at 10 Hills Avenue in Concord, NH. Please call Sarah Chaffee at 603-225-2515 for more information or visit our website at www.mcgowanfineart.com, or contact at art@mcgowanfineart.com. Hours: T-F 10-6, and Sat 10-2 and by appointment.

Small Views

C. Chin, Stilling Street, Boston

 McGowan Fine Art announces the opening of “Small Views” featuring small works by Cathy Chin, Melissa Anne Miller, Shane Neufeld and Sandy Wadlington.

The show will run from November 30 through December 31, with an artists’ reception on December 3, from 5 to 7 PM. The public is welcome.   The reception takes place the evening of Midnight Merriment in Concord. The Main Street will be closed to traffic from Pleasant to Centre. Caroling and hay rides will be taking place to celebrate the start of the Holiday Season. For more information visit Main Street Concord.

Inspired by the most recent work of artist Cathy Chin, gallery director, Sarah Chaffee worked to put together a show featuring similarly sized works. “Cathy’s small, urban studies - motivated by a road trip - had a fresh feel that I thought people needed to see,” said Chaffee.



S. Neufeld, Green Fundy After Storm

It coincided with a recent batch of watercolor studies by Shane Neufeld who since becoming an architect has not had much free time to paint. A trip to Nova Scotia this past summer, with its sparkling light and dramatic bay served as an impetus to start again. This show is rounded out with the talent of artists Melissa Anne Miller and Sandy Wadlington.



S. Wadlington, First Snow of the Season

Landscape has a fascination for people as both a respite and a reflection of our place in it. In the respite category are the small pastels of Sandy Wadlington that minimize the human impact on the landscape. “Frosty Morning,” a view of a pine grove provides opportunity for Sandy to display her technique and mastery of atmospheric effects. A careful weaving of small strokes builds up a rich surface texture. The pale silvery grays feel like a winter fog settling over the dark trees. “Working small is also quite intimate and peaceful. You are in your own little world. Every little mark has a purpose, and you put it there, or erase it, or something in between,” says Wadlington.



S. Neufeld, Pines Over Studio,
Penguin Island

Another view of the landscape as romantic respite is Shane Neufeld’s watercolors of the Bay of Fundy. They are more color studies with their broad, wet strokes of pigment. “Pines over Studio, Penguin Island” is a symphony of greens contrasting against white, sunlit buildings.

C. Chin, Tailgating

Both Melissa Anne Miller and Cathy Chin take to the city streets for inspiration. Cathy’s diary of images provides us unlikely subjects of beauty- McDonald’s restaurants, old gas stations and exit ramps. In “Tailgating” her brush turns to a tangled mass of signs and phone wires dominated by the tail end of a car. The red of brake lights bleeds into the enameled blue of the trunk- a tour de force in color. In “Stillings Street, Boston” (at top) Ms. Chin breaks down the buildings and signs into sun-drenched planes - blues, viridians and grays. It is a veritable quilt of color.



S. Wadlington, Frosty Morning